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However, when Cassie transforms into her night-time persona? “Her makeup becomes more pronounced, shinier, and smeared,” says Wells, who highlighted Mulligan’s eyes by deliberately smudging her black mascara and carelessly blending MAC’s Pro Longwear Fluidline in Blacktrack into a more droopy, downcast shape for a “sorrowful eyeliner” look. Regarding the Don’t Get Me Started, I Don’t Come With Brakes Shirt additionally, my admiration for this lipstick style is about crafting various shapes with intense hues like MAC’s Liptensity Pencil in vivid pink Royally Flush. The lone constant between day and night is an Easter egg–hued manicure. “The truth is she’s presenting herself as someone who appears to be an easy target for a man who spots an opportunity,” explains Wells. “This makeup serves to enhance allure, but it also reflects her psychological state.”

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In the third act of the Don’t Get Me Started, I Don’t Come With Brakes Shirt, additionally, the film, Cassie’s head-turning theatrics hit a crescendo. She makes an appearance at the bachelor party dressed as a candy striper with over-the-top makeup and vivid, neon-bright hair. “It’s akin to The Joker creating chaos,” says hairstylist Daniel Curet, who brought Fennell’s concept for the scene to fruition by combining two different candy-colored fantasy wigs to achieve the ideal blend of fringe, texture, and hue.